Showing posts with label Condorman!. Show all posts
Showing posts with label Condorman!. Show all posts

Thursday, September 6, 2018

… not with a bang but a whimper.



A month later.


We stand amidst the carnage of a hundred half-considered ideas. Sickly remains of outlines lay strewn about the place, sentences bloodied and mangled from too many deletions. The blog reeks of the remains of what can cruelly be called "works-in-progress," all reduced to a series of empty-eyed, already putrefying corpses awaiting days of publication that would never come. Even the hopeful specters of good intentions - who were, at one point, legion - have left this place far behind. There is nothing but echoing hollowness here.



Well, we're all rested and ready to post some more fun stuff. Come along.

I'm not coming with you.
Beg pardon?

I'm tired of it.

<Sigh> What's the matter?

A lot of time has been wasted here over the past year. I think I'm sick of it.

You think I wanted it this way?

No. It's just that I don't think I can go on.

You don't want to blog anymore? What about your Princess Diaries article?

All I managed to come up with was that it has Anne Hathaway and that I saw it a month before 9/11. What the hell kind of a post is that?

But what about all the reviews you wanted to write? The Christmas articles in December? The DCA TV special!?

My Aunt Vanessa said, when I became a blogger, if you stop enjoying it, give it up.

Umm … you don't have an Aunt Vanessa-

It's stopped being fun, Condorman! Goodbye. You too, Donald.

Whatever.

I'll miss you both.

No, no - don't leave. Not like this!
I must! I ... I'm sorry. Goodbye.

It's strange … I left the comic industry for similar reasons. I'd grown tired of the lifestyle. The self-imposed deadlines. The writer's block. The amount of time I had to commit to the work. Every new piece of writing became more of a chore than a joy.
It seems I must mend my ways. Come along, Caballero.
Whatever.





Brave heart, Blogger. I will miss you all, dear readers.




Sunday, September 24, 2017

A Whole New World I (The Theme Park Rundown, Pt. 1)

And so Started By A Condor has reached 60 posts - hooray for arbitrary numbers! Since post #1 was an introduction, however, I suppose this one would actually be “review #60” - except we won’t be reviewing anything today. Going back to an idea I had while starting the blog (pushed aside in my initial feverish dash to write too many reviews,) today we’ll begin a recurring series of entries looking back at the films we’ve reviewed so far and run down what presence (if any) each one has at Disney’s theme parks. Since tackling every one of these in one post would be tedious (to write and to read,) we’ll take them 10 at a time, with a new entry in the series every once in a while.

Sound like fun? Well, too bad, I’m doing it anyway.

So now come along with me as we journey into imagination (!?) and depart for the exotic cities of Anaheim, Orlando, Urayasu, Marne-Le-Valle, Penny’s Bay and Pudong for a journey through the turnstiles (or MagicBand readers,) as we go a-hunting for references!


Condorman
Looking first for a reference to our beloved blog namesake, we find … precisely diddly-squat. Seriously - there’s nothing in any of Disney’s 12 theme parks (or their resort hotels and shopping districts, as far as I  know) referencing our winged wonder. And why should there be? One of the requirements of a cult film, by definition, has to be it’s non-presence in the mainstream - and Disney doesn’t get much more obscure than Condorman (well, almost - let’s not bring up Midnight Madness just yet.) Unfortunately my emails to Walt Disney World management, urging them to re-paint the cars at the Tomorrowland Speedway to resemble the Condormobile, have thus far fallen on deaf ears.

We tried to start a meet and greet, but kids kept poking their eyes out on my wings!

Snow White and the Seven Dwarfs
Okay, this one’s much easier to spot. Disney’s original animated film features prominently in the theme park world, and has from day one. Beyond Snow White and the Dwarfs themselves making innumerable appearances in shows and parades, Snow White’s Adventures (later renamed Snow White’s Scary Adventures) was an opening day attraction at Disneyland, and still operates there today - albeit in a heavily-modified version partially based on Florida’s 1971 re-make. That version, which was first toned down in 1994 and then removed completely in 2012 (to make way for Princess Fairytale Hall, a meet-and-greet location,) is the one I find most fascinating.

Tasked by Roy Disney with replicating the three opening day dark-rides from Disneyland (after their original plans for ones based on Sleeping Beauty, Mary Poppins and the “Sleepy Hollow” segment of The Adventures of Ichabod and Mr. Toad were cut,) WED Enterprises’ Imagineers decided to alter them in different ways. Thus the new Peter Pan’s Flight became more detailed and scenic, and the Mr. Toad’s Wild Ride redux became twice as large (and twice as manic.) With their new Snow White ride, the Imagineers apparently decided to scare eager young riders shitless, as it featured wailing skeletons, a darkened cottage full of terrified forest animals, the shadow of a horned demon that chased the Dwarfs away (!), and a pursuit by a gaunt, relentlessly shrill Witch that leaped out suddenly at several points during the experience. At the ride’s conclusion, the Witch appeared above the ride track in the Dwarf’s mine, seeming to tip a giant diamond onto riders’ heads. This lead to the final room before riders departed, in which strobe lights flashed as the hag’s cackle echoed like a skipping record; basically, the Witch killed you. God, I’m sorry I missed this one!

We all float in here, dearies...

Versions of the ride exist in Disneyland Paris (Blanche-Neige et les Sept Nains - a clone of the current California version) and Tokyo Disneyland, which is an interesting hybrid of Florida’s original first half and California’s “happy ending.” Additionally, Magic Kingdom received a Seven Dwarfs Mine Train attraction in 2014 to replace it’s defunct dark-ride, which is a nicely detailed “family-friendly” roller coaster that was later duplicated at Shanghai Disneyland. It’s well worth a ride if you can snag a FastPass (you won’t see me waiting no two hours in line - I could be spending that time eating, like, 24 Citrus Swirls.)

The Adventures of Bullwhip Griffin
Well, you’d think one would be hard-pressed to find this little gem represented in the parks - and yet there exists a shout-out at Florida’s Magic Kingdom. Inside the Main Street train station, right at the front of the park, there is a railroad bulletin board chock-full of references to some of Disney’s older live-action films. Among them, there is a train that’s listed as arriving from “Bullwhip,” which is then then scheduled to depart for “Griffin Gulch” (and which is noted as having a flood delay.) A small reference, to be sure, but it’s better than nothing!

I'll probably be using this board a lot in coming posts...

The One and Only, Genuine, Original Family Band
Aarrgh!! Anyway, this excruciating musical doesn’t seem to have a direct reference in any of the parks, though the time period portrayed in the film isn’t too far off from Main Street’s turn-of-the-century ethos. I wouldn't be surprised if instrumental versions of one or more of it’s Sherman Brothers tunes have shown up in Main Street’s background-music loop at some point. Louis Armstrong did a jazzy cover of “Ten Feet Off the Ground” on his Disney Songs the Satchmo Way album … and he performed a few times at Disneyland … so there’s that.

Admission costs how much now!?!

Darby O'Gill And The Little People
Despite being ripe with fantasy (and touched by the hand of Walt Disney himself,) Darby O’Gill is sadly without direct theme park representation, as well. There is a tenuous link, however, between Walt’s effects-heavy film about Leprechauns and an easy-to-miss curio at Disneyland. In 1955, Little Golden Books published a story entitled The Little Man of Disneyland, a cute little piece of marketing that told the tale of a Leprechaun who was displaced by the construction of Disneyland - until Mickey, Goofy and Donald helped to re-locate the wee man into his own private tree inside the new park. A tiny door, window and chimney can still be spotted on a particular tree in Adventureland. Why a little Irish Leprechaun was living in California is still a mystery to me, though.


Canya believe I've godda drag meself all the way ter Califahrnia Adventure fer a wee nip?

Donald In Mathmagic Land
Perhaps no other entry in this post points to the futility of this exercise more than Donald In Mathmagic Land. I mean, am I serious? Well, the narrator here is Paul Frees, who also narrates The Haunted Mansion and the long-shuttered Adventure Through Inner Space - and his is still the voice heard as Pirates of the Caribbean’s pirate-auctioneer in both California and Florida (I imagine this not to be the case overseas, since those pirates don’t speak English.) Plus, if you look closely, you can see that tucked behind every cash register in Disney’s gift shops sits a basic numerical calculator. Math!

This building, Donald, is shaped like a square. MAG-NI-FI-CAY-SHUN!

A Goofy Movie
Brace yourselves ChildrenOfThe90z, but our beloved Goofy Movie is sadly underrepresented at the parks. There is a rarely-seen Max walk-around character that sometimes accompanies Goofy, though his purple pants indicate that this is the junior Goof circa the Goof Troop series, rather than its' feature film follow-up. However, the pair have been spotted doing impromptu performances of “the perfect cast” dance, sometimes accompanied by the film’s Powerline song “I2I” (especially on Father's Day in recent years.) As noted in my original review, the films “Lester’s Possum Park” is a bare-faced parody of Magic Kingdom’s Country Bear Jamboree, but we’re not looking for reverse-references here - and it’s not like Disney added a “Lester the Possum” animatronic to the Bear Band line-up or something. That’d be silly.

Nobody else but you...

Tarzan
Passing through Disneyland’s Adventureland on your way to New Orleans Square you’ll encounter a giant fake tree, containing the walk-through Tarzan’s Treehouse attraction. Opened to the public in June of 1999 (exactly one week after the release of its' namesake movie,) this one caused a minor bugaboo amidst Disneyland die-hards, as it was a quick-and-dirty re-theme of the cherished (if infrequently traversed) Swiss Family Treehouse attraction that had shaded the western edge of Adventureland since 1962. While the closure of older attractions to make way for new ones is part-and-parcel to the life expectancy of Disney’s parks, this example of budget Imagineering (instigated by then-Parks and Resorts chairman and miserly bottom-line feeder Paul Pressler - aka The Dark One) was an unfortunate harbinger of such future IP re-brandings as the Tower of Terror/Guardians of the Galaxy redesign, and the impending transformation of Paradise Pier into Pixar Pier (poor California Adventure can’t seem to catch a break!) On the other hand, the attraction proved a popular enough draw, and was copied as an opening-day attraction at Hong Kong Disneyland in 2005.

Evidence of a rushed makeover at Disneyland’s Treehouse soon came to light, however. Originally guests would ascend the attraction via a steep set of stairs that took you up into the Swiss Family Robinson’s jungle dwelling; for the Tarzan rebranding, however, a separate “rotting tree” (at least that what it looks like to me) was constructed out in front of the original, and guests would climb this before crossing a nerve-racking suspension bridge over to the main attraction. All fine and good - kids liked the new bridge, and it helped set the updated attraction apart from the original. However, the added stress of this extra structure soon took its' toll on the 37 year-old tree, and one day in March of 2007 the entire attraction was suddenly shut down without notice. It took crews over a year to assess and repair the structural damage. The attraction has operated without incident since then.

Tarzan and Jane: swingers

While the Treehouse in Florida’s Magic Kingdom has remained unaltered, Tarzan did inspire a memorably silly stage show at Animal Kingdom. Staged in the “Theater in the Wild” adjacent to Dinoland USA, Tarzan Rocks! (don’t ya love exclamation points slapped onto things?) featured energetic performers swinging on simulated vines, belting out less awesome renditions of Phil Collins’ songs from the film. Tarzan Rocks! ran for seven years before being replaced by a Finding Nemo musical show in 2007. But the likeliest reason it’s so fondly remembered can be summed up in two words: rollerblading monkeys.

Enchanted
Disney’s 2007 animated/live action rom/com is itself a treasure-trove of Disney references, but references to the film itself are lacking in the theme park world. In my review, I went into brief detail about Disney’s last-minute decision to pull Amy Adams’ Giselle from the roster of “official” Disney Princesses, primarily due to the fact that discerning theme park patrons (can you hear the sarcasm in my writing?) would call foul on a walk-around character who didn’t look like the actress. Since then, it’s been brought to my attention that both Disneyland and Walt Disney World did in fact have a Giselle character, who was featured in a “pre-parade” float promoting the film, which would preceed afternoon parades at Disneyland, Magic Kingdom and Hollywood Studios. Since then, the character has been a no-show, even at those ridiculously over-priced hard-ticketed events that annual passholders and Vacation Club members attend to stand in line for two hours to take pictures with “rare” walk-around characters. Various theories as to why this is the case are floating about in the internet’s ether - some say it’s because Disney’s feature animation didn’t do the animation in Enchanted, some say because the character’s elaborate dress is too expensive to maintain, others say it’s so they don’t have to pay royalties to Amy Adams (though this issue obviously hasn’t stopped Mary Poppins or Jack Sparrow characters from appearing - unless Amy Adams has a dynamite agent?)

I'm just as surprised as you!

A Far Off Place
It should be clear by now that we’d come up dry once again seeking any theme park references to Disney’s obscure 1993 adventure film. If you squint hard enough, one could possibly take portions of Animal Kingdom’s Kilimanjaro Safaris attraction as a close-enough substitute. And, as noted in my Animal Kingdom TV special post, the attraction did originally have a much heavier ivory-theft storyline behind it, which fit hand-in-hand with Disney’s “evil poachers as go-to villains” theme of the 1990s. Perhaps if one were to ride along with somebody who resembles a teenaged Reese Witherspoon or Ethan Embry, they could pretend … no, never mind, it’s not worth it.

Keep your eyes open, Mr. Giraffe - you might be replaced by a Marvel attraction any day now!

Well, that takes us through our first "Theme Park Rundown", and clearly we’re going to have our work cut out for us moving forward. As we’ve already seen, some movies have big, obvious rides and attractions, while others have more obscure references that typically go unnoticed by the casual guest; many, of course, have no presence whatsoever. Luckily, some of us have a gift for seeing references where none may actually exist!

Saturday, July 1, 2017

Pirates Of The Caribbean: At World's End

Okay, time to finish this thing. One last blog entry for Pirates Week - didn’t think I’d get it out in time. Man, getting through these last couple of movies was tough. There’s only so many loud CG sea-battles one can take before it gets dull.

Okay, so intro … intro ... should I be funny? Er, try to be funny? Maybe just a quick “Avast, let’s review 2007’s Pirates Of The Caribbean: At World’s End?”  No, needs more than that.

Ceci n'est pas une Jack Sparrow.
 
 
No, it's fine. You Always ramble on too long anyway.
Keep the introduction short.

What was that?
 
Don’t listen to him, you’re doing fine.

Thanks! Wait, what? Well, never mind.
Okay, what to talk about … what to talk about ...
 
Do a plot summary!
Oh for Christ's sake, no! No one wants to read a plot summary!
Either they've seen the movie or they don't give a shit.

The movie stars Johnny Depp as bilge rat scurvy sea dog pirate Captain Jack Sparrow, who is to be rescued from Davy Jones’ locker by his frienemies, Will Turner (Orlando Bloom,) Elizabeth Swann (Keira Knightley) and Captain Hector Barbossa (Geoffrey Rush) - who’s now alive, because magic. Chow Yun-fat appears as pirate lord Sao Feng, in an extended opening sequence set in a fanciful, set-bound recreation of Singapore.
 
Yeah yeah, the gang's all here:
Bill Nighy is Squidward Von Spaghetti Monster,
Jack Davenport is "Nobody Cares" Norrington,
Tom Hollander is the other British guy I can't be bothered to remember.

Wait, is he the new Spider-Man?

No, that’s Tom Holland - I can see how you’d get confused.
Doesn’t take much. Anyway, Tom Holland was probably
a newborn when this came out.

Also in a somewhat expanded role is Naomie Harris as Tia Dalma, who turns out to be the human vessel for the goddess Calypso, former lover of Davy Jones. She is freed from her Earthly form, basically to have a reason for a giant whirlpool to appear in the middle of the ocean and serve as a backdrop for the protracted climax (“Maelstrom!” one of the pirates cries out, reminding me of a recently closed EPCOT attraction.)

No! No goddamn EPCOT references!
Do you know how pissed I am that you
shoehorned your whining about EPCOT Center
into the review of my amazing adventures
in Mathmagic Land!? Hey, stop linking!
Oh sure, “amazing adventure”... nobody likes Mathmagic Land.
Hey! At least they liked The Three Caballeros post!
Not like you'd know anything about that,
Mr. Seven Views.
I’m a cult classic, so there.

Cult classic my ass, you stupid-


Hey! I’m trying to write about Pirates!
How the hell is this any way to finish Pirates Week?
 
Pirates Week - nobody cares.
Just write an angry review with lots of swearing!
Everyone fucking loves it when you get mad!
That’s not true!
I think a lot of readers enjoyed the Goofy Movie post.
Pfft! The Parent Trap! The Lion King!
Most popular posts! He hated 'em!

Well I didn’t actually hate The Lion King, I was just trying to point out-

Here, I’ll write the post for you:
FUCK PIRATES! THIS MOVIE’S SHIT!
DISNEYLAND HAS LOST IT’S WAY!! WAAH WAAH WAAH!!

Stop it! I need to write something substantive.

Ooh, “substantive” - nice! Makes you sound so smart!
Use “nadir” next!
While not quite the nadir of Disney’s over-blown big-budget blockbusters in recent years (that dubious honor likely goes to 2013’s The Lone Ranger - notably also directed by Gore Verbinski,) the length and scope of the climax here goes - wait a minute, how did I get to the climax already!? Stop screwing around with me!

My apologies.
Anyway … While still an over-bloated mess, At World’s End, unlike its immediate predecessor, at least seems to have a general focus. That being the exploration of the seven seas and growing influence of capitalism (exemplified by the East India Trading Company, portrayed like a vile 19th century Weyland-Yutani Corporation) means the end of piracy, and with it romanticism and mythology. This can be seen in the strange but somewhat touching scene as Jack and Barbossa mourn the once-fearsome Kraken, now a rotting corpse on a beach (apparently slain by the British once they’d taken control of the Flying Dutchman.)

Nice! I’ve missed the deeper connections you used to make.
Remember how you connected the history of the Disney company
to Candleshoe? That was lovely!
 
Well, I wouldn’t call this a “deeper connection” - it’s all right there in the movie.
Besides, hardly anyone read the Candleshoe post.
 
Don’t pity yourself, it’s unattractive.
Also, the Alien reference may be stretching it.


Are you still sure the punctuation should go inside the parenthesis?

No! I mean, yes! No more discussion about that! On this blog, I put the period inside the parenthesis, and I’m sticking to it!

Anyway, there are several sequences where audiences are treated to Jack Sparrow talking to multiple copies of himself, in what are most likely hallucinations resulting from his trauma from the land of the dead-
 
You mean that de-saturated Arizona desert?
What was with that?

Now that you point it out, the entire sequence within Davy Jones’ locker (presumably a different destination than “regular” dead people end up in - I don’t know, it’s not explained in any way,) with dozens of Jack Sparrows crewing a grounded Black Pearl, seems like Disney cynically punishing audiences: “So, you want more Jack Sparrow? Well, here’s a bunch of him! Choke on him!”

Tee hee!
Yeah, none of those scenes made any sense.
Why didn’t Sparrowman just unfurl his wings
and fly out of there?
...

That’s not even funny - please stop. The portrayal of Jack Sparrow in this installment swings wildly from the cunning adventurer of the first film to a raving madman, which reaches a ridiculous zenith-

Zenith! I love it!

-when two cartoonish “devil vs. angel” Jacks appear on either of his shoulders, arguing over whether or not he should captain the Flying Dutchman. I almost lost it at this point in the film, feeling that a shark (or some other CG sea creature) had been jumped.

Obviously, I’d say you did lose it, buddy.
The rum probably didn’t help.

I only had a little!

Your drinking alone does concern me…
Yeah, I can hear him now: “But it’s Pirates Week!
I’m entitled!” What’ll be the excuse next time?
“Oh, it’s Lalla Ward’s birthday! Let’s watch City of Death
and down a bottle of White Zinfandel!”

Quiet, both of you!
The visuals in this film-
 
Too vague!
-the cinematography and camera work in this film are an improvement over those in the previous installment. Whereas Dead Man’s Chest was littered with a few too many slow-motion panning shots, this time around we are treated to a number of visually stunning images. These include a Chinese junk slowly making it’s way through a massive ice cavern, and beautiful ocean-vistas which belay the dangers inherent with high-seas piracy.

Talk about Keith Richards!

No. The single most baffling moment in this film (and so far of any other film I’ve reviewed) is right after Barbossa steers the Black Pearl over the “edge of the world” into the land of the dead, and before the forced “weirdness” of the Davy Jones’ locker sequences: as the ship plunges into darkness, the screen goes black and a brief “sound collage” of music and vocals from the original Disneyland attraction are heard. I actually had to shake my head and back the movie up to make sure I wasn’t imagining it, so out-of-nowhere came this … what do I even call it? Big budget fanwank? The movies are already filled with a number of “shout-outs” to the original attraction; besides the first films “jail scene” and treasure cave, the sequels include Tia Dalma’s cottage resembling the ride’s blue bayou scene, and half of the dialogue spouted off by Barbossa (“It be too late to alter course now, mateys,” etc.) The random blast of Walt-era audio here, however, is extremely strange.

Yeah, that was bizarre.
That was more fucked up than
when I turned into a penis!
Would you stop talking about the
damn Caballeros movie already? It’s pathetic.
Listen, man-in-leotard: once you’ve generated
billions of dollars in T-shirt sales,
then you can talk to me about who’s pathetic.
That’s enough - we’re distracting
from the creative process!
"The creative process!?" Hahahahah!!!
On a blog chock-full of copyrighted material?!
Hahahah!!

Hey! Fair use … or something.

Speaking of which, there haven’t been any pictures yet.
 
Oh, uhh, OK ... here:

Hilarious caption!

Oh, brother. Talk about pathetic...

Yeah, this entry’s a disaster. I’ve got two pages of viewing notes and instead of an insightful or entertaining review, I’ve got nearly five pages of me prattling on with figments of my imagination.


Did somebody say Imagination!?
No!

No!!

No! Well, maybe I’ll throw out some random thoughts-
Business as usual, then.

Uhm, Chow Yun-fat thinks Keira is Calypso, tries to rape her, makes her captain of his ship and dies … that’s weird. Then she’s voted pirate king and gives some half-assed speech to inspire all the pirates to fight the British. Elizabeth and Will are married by Barbossa in the middle of a frenetic battle scene … that’s, uhm … stupid. By the time Jack is arguing with himself in the brig, we’re all sick of him - a real shame for such an instantly iconic character. I really thought Will’s father, “Bootstrap” Bill (Stellan SkarsgĂ„rd) was going to stab Jones’ heart, but instead Will does it and becomes captain of the Flying Dutchman (after a conjugal visit with Elizabeth on some random island,) in the process returning Jones' crew to human form. So apparently they were ludicrous-looking fish people because Davy Jones refused to do his job? Why didn’t they mutiny? Did they like looking like Street Sharks?
Don’t throw out a bunch
of rhetorical questions, it’s lazy.

I believe it’s called modus operandi.
The film’s finale (before a protracted denouement of almost Lord Of The Rings redundancy) features the villainous Cutler Beckett doing a slow-motion catwalk across the deck of his ship as both the Black Pearl and Will-captained Flying Dutchman blow it to smithereens around him. His miraculous march - as chunks of splintering, flaming wood fly around him - is as close as these films come to the destructo-porn that is a favored in modern blockbusters (Man Of Steel, the Transformers series, etc.)
We’re running rather long -
bring it home, succinctly.
 
Uhm, critics hated it, audiences emptied their wallets, ensuring that we’d keep getting increasingly worse sequels in the coming decade-
 
Hey, you haven't seen On Stranger Tides or
Dead Men Tell No Tales - you can't make that assumption!
I thought you were going to watch all of them this week?

No! I can’t take anymore Bruckheimer buccaneers!
 
That’s clever, I like that!

I think I’ve had too much-

Rum?

No, too many over-indulgent blockbusters all at once! I think the Pirates Of The Caribbean movies broke my brain! Look at me! I’m talking to a cartoon duck and a Michael Crawford!
 
You alone can make my song take fliiiiight…

Oh God, now one of them’s singing. Anyway, soon the beast would come to eat it’s own tail, so to speak-

What!? That makes about as much sense as 
the end of The Three Caballeros.
Have you heard of that one? It’s great!
 
-as in 2006 the original Pirates attraction at Disneyland (as well as its shorter cousin in Florida) received its own Jack Sparrow and Captain Barbossa animatronics, thereby making it a ride based on a movie based on the ride that’s now about the movie. I think I’ve gone cross-eyed.
 
…help me make the music of the niiiiight!

I’m done. Goodnight.
Adios, amigo.